But the proof of the pudding lies in the viewer-connect, which translates into media rights and revenues, which again gets ploughed into the game and its viewing itself. Apart from the fact that the likes of Mithali Raj, Harmanpreet Kaur, Poonam Yadav and now-retired international Jhulan Goswami are household names, the women’s game is a brand on the run. While the men’s game has, for all purposes, reached a viewers’ ceiling – new auction categories and market segmentation in the last IPL auction in June attesting to a maximisation strategy – the women’s arena is reaching newer spectators, newer popularity heights. The record 1.64 billion engagements generated by the 2022 ICC Women’s Cricket World Cup in March-April in New Zealand – up from 82 million in 2020 – along with a global TV audience of 104.8 million, underlines this steep curve.
BCCI has, till now, only made a formal announcement. Details of the number of franchises (probably 5-6, for starters), format, schedule, distribution, etc, await. Because of WIPL being a brand of the existing IPL brand, the wheel won’t have to be reinvented. Demand from team owners for players, with the contract system already in place, should be on tap. The horse of women’s cricket, placed before the WIPL cart, is raring to go. All it needs now is to gallop.