Some songs are best not categorised as classical, pop, jazz, or fusion, simply because that would be restrictive. One such song is ‘Khamaj’ by Fuzon. The track, from the Karachi-based band’s 2002 debut album, Saagar, opens with its dulcet ‘harpsichord’ piano-guitar notes, only to rise up in slow smoke in the mesmerising vocals of frontman Shafqat Amanat Ali.
The opening words, ‘Sawan beeto jaye peeharwa/ Mann mera ghabraaye/ Aiso gaye pardes piya tum/ Chain hume nahi aa aaye’ (Monsoon is passing by, my love/ My mind grows restless/ I find no peace of mind,’ sets the tone in this modern Meghdutam. The restlessness is infectious.
The song is a beautiful reinterpretation of raga Khamaj, with its delicate sonic filigree.
The ghatam taps out a beat like a never-resting memory. The song, like in a western rondeau, wonderfully repeats patterns and refrains, the simplicity of which is bewildering.
As Shafqat complains, ‘Mora saiyaan mo se bole na/ Main lakh jatan kar haari…’ (My love doesn’t speak to me/I tried a lakh things, but I lost…), the tune lingers long after the song ends.
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