Umberto Eco had written a wry faux-essay in his 1963 collection, Diario Minimo, translated into English in 1993 as Misreadings, titled ‘Granita’. Flipping Vladimir Nabokov‘s iconic novel on generational asymmetry, Lolita, Eco starts his piece with, ‘Granita. Flower of my adolescence, torment of my nights.’ But Eco’s paean to chronologically-curated beauty is about an aesthetic-hormonal taste for ‘faces furrowed by volcanic wrinkles‘ and ‘proudly gnarled hands’. HGs of the here and now are different – they are head-turners by our usual measures of head-turnability. HGs, however, aren’t simple age-defiers – they carry their oomph within the matrix of age. In fact, theirs is a je ne sais quoi quality that has gorgeous sit pretty – nay, sit bewitching – with the seductive mark of experience.