Exclusive: Utkarsh Sharma recalls being hard on himself during Gadar 2


Utkarsh Sharma debuted as a child actor in father Anil Sharma’s cult-classic Gadar (2001). In Gadar 2 (2023), he took on a lead role and with the recently released Vanvaas, the actor has further proven his versatility. Despite being born into a film family, Utkarsh does not take his position for granted and pushes himself to extremes to excel in his craft. In a freewheeling conversation with Filmfare, the actor opens up about Vanvaas, his belief in his craft, and his relationship with his filmmaker father. Excerpts:

What did you think about the reactions to Vanvaas? 

I’m feeling overwhelmed because the feedback has been quite positive. People loved the emotional core of the film and they are quite surprised that it is wrapped in such entertainment. 

How was the experience of working with someone so unorthodox like Nana Patekar? 

The experience was truly unforgettable for me not just because of Nana sir, but also thanks to our supporting cast, which had so many experienced actors. They’ve achieved so much in their fields, whether it’s on OTT or even in cinema. It was a lot of fun working with all of them. We were like a family. Even though the film is on Vanvaas, on set we were like a family. Nana sir used to cook food for 200 people on set. He fed me Misal pav with his hands.

At what point in your life did you realize that you wanted to be an actor? Did being the son of a director help?

Yes, definitely. Being the son of a filmmaker helped me get a job behind the cameras. I got a job assisting on Veer (2010). And I got to see acting from really close quarters. I worked as a child artiste also. So, I’ve been watching films since my childhood. As I was growing up, I wanted to be associated with films. Whether it was in writing or editing, I wanted to be associated with it. Then I got a chance to do theatre and went abroad to learn more about the craft. From then on, I felt that this is what I wanted to do. This is where I’m able to express myself. That mask, of being an actor, gives you a lot of power to speak the truth.

You also had formal training in acting. How did that help you shape your approach to your craft? 

A lot of the formal training comes from people who explored acting themselves. They didn’t learn it from a book. Then they became teachers. So the best way to learn acting is by doing it. I did formal training both in India and the West. Then I did theatre and short films. I tried to strengthen myself as much as I could because this profession is tough. I’ve been hard on myself to receive the right education for this field.

Utkarsh Sharma

How have you been hard on yourself? 

I’ve pushed myself. I have forgone sleep, food and a lot of luxuries in life that someone in my position could have easily had. I have forgone a lot of things to just focus on my craft and develop it. 

What was the most challenging thing you had to do so far? 

During Gadar 2, there was a scene where I was about to get executed. My character had been a prisoner for about a month. You need to have a natural look about yourself and it is hard to achieve it just through makeup, VFX or prosthetics. We shot that sequence for 12 days. I was just eating one slice of bread in the morning. That’s it. I tried to stay as hungry as I could. So that I get to feel that anger. We were shooting at irregular hours anyway. So all of that took a toll on my face. And by the end of it, we were about to shoot action scenes where I had to run a lot in the heat of Lucknow. It took a toll on my health. I also tried to do my stunts and broke my leg twice during Gadar 2. 

Utkarsh Sharma

How was the experience of working with your father and how does he direct you on sets? 

I am very close to him and he discusses a lot about films. We both are cinephiles so whenever we see a movie, we tend to break it down and analyse it. We have a friendly relationship where I can discuss work and my personal life with him openly. But he’s a workaholic by nature so sometimes at home also, he’s wearing the director’s hat. I’ve been his assistant so whenever he has a story idea, he asks me to start working on it immediately. We have that boss and employee relationship as well even at home. On set, all the other actors get a van but I don’t usually. But I understand what he wants so it is easy to work with him. 

So who are the directors, besides your father you would want to work with? 

Rajkumar Hirani sir, Sanjay Leela Bhansali sir and Imtiaz Ali. These are all directors whose work I’ve admired a lot. Particularly from the new generation, I would say Amar Kaushik. His work is very good. I saw Stree 2 and he’s a rooted director. Even Sukumar ji (director of Pushpa) from South. I also liked Aditya Dhar’s Uri: The Surgical Strike. 



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